Good editorial web video often works with a simple and authentic idea - 50 People, One Question by Benjamn Reece most definately falls into this category. Moreover it comes with beautiful cinematography.
“Cine-Fils.com is an online interview magazine focussed on interviews with international filmmakers. It is our aim to provide exclusive video interviews with internationally known filmmakers concentrating on a special subject.”
Just a quick tip for two online video awards. The Berlin short film festival interfilm announces the first international viral video award, deadline is September 19th.
Republica 08 is a conference on web culture and politics, taking place in Berlin from 02.-04. of April 2008. On Friday the 4th they are having a sub-conference on web video. Subjects range from the political aspects of web video communication, Creative Commons, Webisodes, to Open Video Foundations and Web Video Funding possibilities.
I’lll be there, so if you’re around catch me for a chat.
I think Skid Row is an example where webvideo can go. The series has a good production value because of it’s emotional soundtrack and the clever usage of animations. It has a very subjective appeal by introducing us to the issue through Slovick’s voice over thoughts. All in all, it’s very entertaining and informative at the same time.
Also check out Good magazine., they understand where the future of online/offline media mixture is heading:
“While so much of today’s media is taking up our space, dumbing us down, and impeding our productivity, GOOD exists to add value. Through a print magazine, feature and documentary films, original multimedia content and local events, GOOD is providing a platform for the ideas, people, and businesses that are driving change in the world.”
Matthias RÃ¶ckl and Julio Schuback are running production company called I blog NY. They produce a video podcast for the Bavarian Open Radio, where they present interviews and reports from the music and art scene of New York City.
…and once again, all the great photos in this entry are made by the very talented Anne Helmond!
And on yet another rainy morning in Amsterdam (not surprising, you get used to it after a while!), full of curiosity and hopes for the day, I went to the second day of the Video Vortex - Responses to YouTube conference. I was hoping that today would be more fruitful than yesterday, and indeed, what a pleasant surprise! Well, call me selfish, but instead of giving a general overview I will focus on the session that was the most interesting for me personally: Curating Online Video.
On a rainy morning in Amsterdam (that demanded lots of coffee!), the Video Vortex - Responses to YouTube Conference was kicked off at Club 11. I will be blogging on the conference for movingweb, but I was also there because I have been involved with the project through my work at the Netherlands Media Art Institute where we made an exhibition with the same title and related topics. Well, the program of the conference is quite extensive, and I was very disappointed by some of the presentations today (that seemed unprepared, unfocused, had nothing new to say…a total contrast with the first Video Vortex conference in Brussels!). So I will focus on the gems of today’s presentations!
I`m really sad that I can’t be there but our editor Malka will give us a detailed backstage coverage after the conference.
There is a new project up on keyframe.org - Cinema in the digital Age:
“Life is a Remake. This film is a work in progress. Day by day it is growing, changing length as well as storyline. It is a diary, an essay film, a documentary and a fiction film at the same time. And it is a homage to Kurt Schwitterâ€™s Merzbau.”